As early as 1967, the Austrian Film Museum started to collect films, writings, photographs, posters and other documentation
relating to (and created by) the Soviet filmmaking pioneer and theorist Dziga Vertov (1896-1954).
Vertov’s work and achievements represented a central position in the museum’s policies from the very beginning: In 1967, the Film Museum published the first German translation of his selected
writings, in 1972 Peter Kubelka and Edith Schlemmer restored Vertov’s early sound film classic Entuziazm (1930), and in 1974 Peter Konlechner and Peter Kubelka presented a large-scale Vertov exhibition at the Albertina.
In organizing these projects, the Film Museum established a close relationship with Vertov's widow and artistic collaborator,
Elizaveta Svilova. Between 1970 and 1974 Svilova donated part of Dziga Vertov’s personal collection and papers to the
institution - the foundation of what is now the Vertov Collection at the Austrian Film Museum. Today, this resource contains
circa 100 film elements, circa 170 original manuscripts and autographs (Vertov’s writings, sketches and editing schemes),
circa 200 photographs (personal photos and work-related stills), circa 600 press clippings from around the world (primarily
from the former Soviet Union and Germany), 33 original posters, and many other documents.
Since 2004, the Film Museum has been renewing its “Vertov tradition” of the 1960s and 70s. The collection is now
being processed and evaluated by Slavicists and the museum’s research staff. It has been transferred into a online database which is online since spring 2009. Currently, additional material is being researched and integrated into the collection.
In 2005, the Film Museum published a Double-DVD on Entuziazm and its restoration; in 2006, the largest-ever retrospective of Vertov’s films was staged at the Film Museum, accompanied
by a bilingual book which for the first time lays out the rich materials saved by Elisaveta Svilova: The Vertov Collection at the Austrian Film Museum.
From 2007 to 2010 the Film Museum co-organized the three-year research project Digital Formalism in collaboration with the Department of Theatre, Film and Media Studies (University of Vienna) and the Interactive Media
Systems Group (Vienna University of Technology). Celebrating its completion, the Film Museum published a further Double-Disc DVD on Vertov, consisting of his rare
features Šestaja čast’ mira (A Sixth Part of the World) and Odinnadcatyj (The Eleventh Year). British composer Michael Nyman has created new scores for these two films from 1926 and 1928. All these activities aim at creating a network of - and for - international scholars, historians and curators, giving
access to as many primary and secondary sources as possible in the interest of furthering and deepening the legacy of Dziga
Vertov.
