Shadows, 1959, John Cassavetes
Mala Noche, 1986, Gus Van Sant
Citizen Kane, 1941, Orson Welles
La Libertad, 2001, Lisandro Alonso
Sugata Sanshirō (Judo Saga), 1943, Kurosawa Akira
Le Beau Serge (Die Enttäuschten), 1958, Claude Chabrol © Gaumont 1958
Mein Stern, 2001, Valeska Grisebach
Badkonake sefid (Der weiße Ballon), 1995, Jafar Panahi
À bout de souffle (Außer Atem), 1960, Jean-Luc Godard
Dokfah Nai Meu Maan (Mysterious Object at Noon), 2000, Apichatpong Weerasethakul

Collection on Screen:

Love at First Sight
Directorial Debuts from the Collection (Part 1)

February 26 to May 4, 2026

"Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all." Stanley Kubrick

A directorial debut can be a daunting prospect. It can appear as an announcement of a major new cinematic talent, or as a curious enigma that can only be properly deciphered, understood, and appreciated in the future, in the context of a filmmaker’s later works. It can represent a promise that was never fulfilled, a promise broken or suppressed, an outburst of creative energy that was impossible to follow, or a start of a steady stream of cinematic invention.

Our thoughtfully composed film collection is filled with dozens of film debuts, several of them monuments to the foresight of our predecessors who believed, as we still do, that film history continues to be generated in front of our eyes.

But with this particularly massive (over 60 titles, continuing in May/June) spring program we look into the past and bring you some of the most famous debuts of the 20th century (Stroheim, Sternberg, Buñuel, Vigo, Welles, Kurosawa, Chabrol, Godard, Wiseman, Cassavetes, Akerman, Lynch, Jarmusch, Kitano, von Trier, Panahi), combined with a number of less obvious works, perhaps even discoveries or surprises, and a 2001 coda (Grisebach, Kunuk, Alonso) that serves as a perfect announcement of the 21st century. With two notable and necessary exceptions, all on glorious 35mm! (Jurij Meden)

Introductions by Christoph Huber, Elisabeth Streit, and Tom Waibel at selected screenings. 

Live piano accompaniment by Elaine Brennan on March 1, 15, and 29, 2026
Related materials

Baise-moi (Fick mich!)

(2000, 77 min)

Battle Beyond the Stars

(1980, 104 min)

Blind Husbands

(1919, 100 min)

Chicken Run

(2000, 85 min)

Citizen Kane

(1941, 117 min)

Citizen Ruth

(1996, 106 min)

Der Verlorene

(1951, 98 min)

Eraserhead

(1977, 89 min)

Force of Evil

(1948, 78 min)

George Washington

(2000, 89 min)

Hester Street

(1975, 88 min)

Kids

(1995, 92 min)

La Libertad

(2001, 73 min)

Law and Order

(1932, 71 min)

Le Sang d'un poète

(1930, 53 min)

Mala Noche

(1986, 77 min)

Mein Stern

(2001, 64 min)

Menschen am Sonntag

(1930, 74 min)

One-Eyed Jacks

(1961, 137 min)

Pilotinnen

(1995, 68 min)

Salaam Bombay!

(1988, 114 min)

Shadows

(1959, 81 min)

She's Gotta Have It

(1986, 84 min)

Short Eyes

(1977, 100 min)

Synecdoche, New York

(2008, 123 min)

Take the Money and Run

(1969, 85 min)

The Honeymoon Killers

(1970, 107 min)

The Salvation Hunters

(1925, 70 min)

The Virgin Suicides

(1999, 96 min)

Titicut Follies

(1967, 84 min)

Toy Story

(1995, 80 min)

Wanda

(1970, 102 min)
For each series, films are listed in screening order.
Running time: 117 min
Thu, 26.02.2026 18:00
Free admission for members
Fri, 03.04.2026 20:30
Running time: 106 min
Thu, 26.02.2026 20:30
Free admission for members
Thu, 02.04.2026 20:30
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Piano accompaniment by Elaine Brennan
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Piano accompaniment by Elaine Brennan
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Introduced by Elisabeth Streit
Sun, 03.05.2026 20:30
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Sun, 29.03.2026 18:00
Piano accompaniment by Elaine Brennan
Running time: 137 min
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